Writing

Ejo #60 – The Extraordinary People I Know: Karien Mulder

What is art?

Well, do you have all day? And several bottles of wine? I bet we still wouldn’t come to a consensus. How do you define something so personal, so illusory? I’ve been to galleries where the exhibits have not only left me cold, but actually perplexed. How is this considered art, I’ve thought to myself? And yet there are people fawning over the work. Gushing over it! By the same token I have stepped in front of a painting and been totally mesmerised, unable to look away. Unable to walk away. Lost in another world, another time. Transfixed.

Leo Tolstoy defined art thus:

“Art is not, as the metaphysicians say, the manifestation of some mysterious idea of beauty or God; it is not, as the aesthetical physiologists say, a game in which man lets off his excess of stored-up energy; it is not the expression of man’s emotions by external signs; it is not the production of pleasing objects; and, above all, it is not pleasure; but it is a means of union among men, joining them together in the same feelings, and indispensable for the life and progress toward the well-being of individuals and of humanity.”

And that’s about as good a definition as I’ve ever heard. I wonder how many bottles of wine he had to drink to come up with that one!

Now let’s get into some deep and meaningful stuff. Is Chryss Stathopoulos an artist? What is an artist? Someone who creates art, right? So, by definition, yes, I am an artist. But honestly, to call myself that feels like a lie. I create art, sure. I write regularly. I paint once in a while. I take photos when something catches my eye. But in my own opinion, that doesn’t make me an artist. A true artist is following a calling. Maybe I have a calling, but I sure as hell don’t follow it. I’m too married to my salary (right now) to give up being an air traffic controller (shackled by what I like to call the “golden handcuffs”). If I was a true artist I would say to hell with the money, to hell with the travel, to hell with the lifestyle and I would sit down and do everything I could to make a living from my “art”. But I don’t. So when I meet people who have done just that, I look at them with great awe and admiration.

One such person is the subject of this month’s ejo. Karien Mulder is a visual artist and designer in Dubai. I know her because our husbands work together. There are a lot of things about Karien that intrigue and inspire me. And most of them have to do with how different we are.

For instance, I didn’t grow up in a war zone. I spent my formative years in the leafy, Melbourne seaside suburb of Elwood, where the most exciting thing that ever happened to me was winning a spelling competition. Karien, on the other hand, grew up in Rundu, a town on the border of Namibia and Angola, during the South African Border War. Her parents were both in the military and her father was sometimes absent for months at a time. I imagine that as a young child she saw and experienced some pretty awful things. And as children do, she would escape the real world by playing. Her favourite memory of that time is spending hours chasing “sand lions”. She would patiently trick them out of the ground using a blade of grass to tickle the side of the sand funnel until they popped up. Only to put them back again. Another pastime she loved was drawing (particularly faces), something her mother taught her to do and something that would become a lifelong passion.

Catching sand lions

Catching sand lions

After they moved to South Africa (once the war was over), Karien’s mother allowed her to use the spare room of their house as a studio – and in a way it was this act of encouragement and support that really gave Karien a chance to flourish and grow and figure out that being an artist was what she really wanted to do. School was never a highlight for her, but the high school she transferred to in South Africa did have a fantastic art department – and so a confluence of opportunity presented itself to her. Art as a life choice.  She took hold of it and still hasn’t let go.

A young Karien hard at work in her studio.

A young Karien hard at work in her studio.

Having a mentor, I believe, is an important part of walking the artist’s path, and Karien has had a few along the way. People that she’s learned from, people who have guided her and inspired her. From the high school teacher with the shaved head and flowing skirts who taught her that actually creating work is more important than talking about it, to her best friend from whom she learned that every decision an artist makes should be towards creating better work. Karien’s most influential mentor though is the man who taught film at The Open Window School for Visual Communications, Pluto Panoussis. He opened her eyes to a whole other, moving, world, a world that she has confidently inhabited since.

But Karien had made a commitment to being an artist long before taking Pluto’s film class. At the tender age of 21 she packed up her car and drove to the South African coastal town of Langebaan with her cousin. She left because her father had just died. She left because she wasn’t enjoying the graphic design course she was three quarters of the way through. She left because it was the right move to make. It was a major step for her and I can’t imagine that she did it with no fear whatsoever. But she did it anyway. And while she was there, not only did she take part in some art exhibitions and work on her painting, developing her technique and skill. It was in Langebaan that Karien met the other love of her life, her husband Nic.

Nic and Karien are one of the most in love couples I’ve ever met. Their relationship is a beautiful thing and I admire them all the more for knowing just how different air traffic controllers are from artists (trust me, I really know). But they make it work – just like any relationship, you get what you put in. And to that effect Karien made a striking comment about it. When I asked her if there was a time when she knew she was going to be an artist she said, “Art is a soul commitment. Being an artist takes way more than being married. You commit to art more than you commit to another person”.

So while Karien keeps her art close to her, closer even than her husband, I keep mine as a mistress. Not even that. More like a booty call. Something I paw at when the urge takes me. Which is not what being an artist is about (though like all relationships, some nurturing and attention could improve things). Karien and I do share a creative spirit.  But I have squirrelled mine away, encasing it in a beautiful crystal box to protect it, only imagining what it must be like to create art as a life venture.  Karien, on the other hand, has taken her spirit, exposed it to the world, turned it over and thrown it up in the air (and probably up against a few walls too).  She made the difficult choice to be an artist.  She didn’t just dream about it.

I remember once taking part in a life drawing class. At the end of the session the instructor walked around checking everyone’s work. When she came to mine she stepped back and tilted her head. “Whose is this?” she asked and my heart skipped a beat. I put my hand up and she nodded. “This is really, really good,” she said. What I did with that compliment was allow it to fluff up my ego a little bit and then I stored it away in that nice little glass box where I could look at it from time to time, and admire it. That’s the difference between me and Karien. And that is why she is extraordinary.

Karien at work!

Karien at work!

You can check out Karien’s work at her WEBSITE.

You can also read an interview she recently did with Gulf Photo Plus HERE.

And here are a few of my favourite of Karien’s works. I hope to one day start a collection.

Karien 7 ‘To Pin a Ghost’ – Digital Image Composite on Paper

 Inspired by a fictional ghost story

Model & Make-up: Yowyn Du Plooy

Styling, Compositing and Photography: Karien Mulder

Wardrobe: Corsets SA http://www.corsetsa.co.za

Assistant: Louise Malan

You can check out the project here:

http://karienmulder.com/2014/07/20/ghosts-and-girls/

 

 

Karien 8 ‘Rouge Pony Logo Design’ – Digital Image Composite on Paper

Inspired by tattoos, headpieces and vintage tattoo design.

Illustration and Model: Karien Mulder

 

 

Karien 6‘Drawing a Day Image 5’ – Pencil on paper, photographed in Instagram.

Inspired by making a drawing every day for 50 days.

Part of a work in progress.

Model: Yowyn Du Plooy

 

Karien 5‘Folk Self-Portrait’ – Mixed media on a found object (book)

A personal visual diary made as part of a project while at The Open Window School.  The idea was to develop your own personal illustration style through the medium of your choice.  Karien chose to work with random objects and explore concepts of South African folk art.

You can view the project here:

https://www.behance.net/gallery/17520957/Drawing-from-Life-A-personal-Visual-Diary

 

 

Karien 4‘Digital Self-Portrait’ – Vector illustration.

“A vector self-portrait based on a portrait I saw of Frida Kahlo some time ago.  I am (like most) a massive fan of her work and I particularly like the placement of her portraits – it sometimes reminds me of a mug shot.

Mug shots also interest me, and I have made a series these self-portraits in different environments. I like the idea of a universal self and how the decorative space is the voice of the personality.  In this way the individual ironically disappears.”

 

Karien 3“Self Portrait with handmade headpiece” – Digital Image Composite

“I made a couple of headpieces and I wanted to take some photos and didn’t have an available model.”

You can check out the project here:

https://www.behance.net/gallery/16888345/THE-MAGIC-OF-THE-INANIMATE

 

Karien 2“Pen Doodle” – Pen on Paper

 

 

Karien 1“Doodle of a Concept for a video” – Watercolour on Paper

Ejo #46 – I Love My Dad; The Life And Times Of Kon Stathopoulos

 

Ten years ago, today, my father died. I’ve been wanting to commemorate him for some time, but when I sat down to write, only words of sadness and grief and mourning slipped out. Words of loss. Just because a decade has ticked by doesn’t mean that I am “over it”. I haven’t “moved on” from losing him. My loss is constant. A friend of mine who has also lost a parent, recently likened grief to a piece of clothing that you always wear. Sometimes it is a tiny little broach, or a shoelace, and you barely notice it’s there. Other times it is like thick velvet cape or a woollen scarf that wraps around your head. But whatever its shape, or size, it is always there. And I miss my Dad, every single day since he’s been gone.

 

But I don’t want to write about my father in a sad way. I want to celebrate him. It’s the things that I miss so much that I want to talk about! So instead of banging on about why it’s so awful to lose an adored parent, I am going to talk about how awesome my Dad was!

 

A Lifetime Of Hard Work
From a very young age my father had to work very hard. He was the oldest of six children born into a very poor family and was expected to help support them by doing hard physical work in the fields. In 1964, at the age of 23, he immigrated to Australia, hoping to make a better life for himself. He worked wherever he could, getting jobs as a factory worker in a glass factory, collector/seller of copper, a real estate agent and a builder/labourer.

 

After marrying my Mum and moving to Adelaide, my Dad bought a 50% share in an 18 wheel big-rig! But driving a truck meant that he was away for weeks at a time, leaving my Mum at home alone with a young baby (that’d be me). He hated being away from us but he sacrificed that time to make a better life for his family.

 

Ten Four.  Over!

Ten Four. Over!

 

While I was growing up I remember my father having a very entrepreneurial spirit. He bought and ran a fish & chip shop, and he also drove a taxi for many years. But regardless of his day job, he always had ideas about how to make extra money. For many years we had a stall at the Royal Melbourne Show – sometimes selling light-up yoyo’s that we would assemble in our little flat in Elwood. Other years it was hand-painted ceramics that we’d bake in a kiln in our backyard. He also went into business making and selling such disparate items as bowties and reflective silver screens for car windshields. Remnants of these enterprises are still packed away in boxes in my parents’ basement. A reminder that not making a million bucks from an idea is not failure. Failure is when you don’t try. And he always tried.

 

A very well dressed chippy!

A very well dressed chippy!

 

Rebuilding the fireplace was one of a zillion renovations he made to the house.  Also, check out that ceramic plate on the wall.  Do you see the bathos?

Rebuilding the fireplace was one of a zillion renovations he made to the house. Also, check out that ceramic plate on the wall. Do you see the bathos?

 

His most successful career was when he started his own solid plastering business, called Plastercraft. He succeeded because he always put in 100% effort and took enormous pride in his work, and as a result his services were in great demand. While working in the building industry, he practically rebuilt the family home. In fact, I clearly remember being mortified at the rather grandiose wall he built around the house, not to mention the working fountain he put in the middle of the courtyard. But c’mon, I was a teenager. I am not at all embarrassed that his skill and craftmanship were so recognised and renowned that he was commissioned to single-handedly build the same fountain, on a much grander scale, on the grounds of Government House in Melbourne. I am so very proud of that. And I am thrilled that he was able to leave a lasting legacy of his work. If I had kids, I would probably drag them to every Australia Day open-house to see the fountain that Grandad built. I always love to hear that my youngest sister and her partner visit every year.

 

The infamous wall (which was the bane of my existence at the time) and the fountain.

The infamous wall (which was the bane of my existence at the time) and the fountain.

 

The fountain at Government House.  DAYUM!!!!  My Daddy built that!!!!

The fountain at Government House. DAYUM!!!! My Daddy built that!!!!

 

The last business endeavour that my Dad was involved in was probably the one that actually could have made him a million bucks, if he’d lived to see it through. He started a three way partnership exporting Australian steel to Europe for the purposes of steel-frame housing. Unfortunately, after he got lung cancer he couldn’t keep the business going. After he died, his two partners attempted to continue without him but it had always been my Dad’s brainchild. His baby. Without his passion, energy and knowledge, the business just died with him.

 

The Life Of The Party
Just like my father, I am a very serious person. I don’t take my responsibilities half-heartedly and sometimes that can come across as being overly solemn or grave. Perhaps even humourless. But that’s OK. Because also, just like my father, I do know how to let my hair down. In certain situations, with the right group of people I’ve been known to… well, we’re not here to talk about me, are we? Let’s talk about my Dad. Yes, he was serious about work and his responsibilities, but he also loved socialising. He loved being with friends and family, convivially plying everyone with food and drink, singing and making music and being merry.

 

Whole spit roasts were a common occurrence growing up.  Hell, every damn chance we fired up the barbecue and had a sing along.

Whole spit roasts were a common occurrence growing up. Hell, every damn chance we fired up the barbecue and had a sing along.

 

But most of all, he loved to dance. He was straight laced at work, but on the weekends his spirit was set free by the rich, resounding rhapsody of the bouzouki. I remember many festivities in which my father would try to persuade me to join him and the others carousing on the dance floor. I’d cringe in my chair and shake my head. Sometimes I would actually run out of the room to avoid the humiliation. As a 15 year old, I could think of nothing worse than being forced to participate in a round of Greek dancing (except, of course, living in a big white house with a big Corinthian fence around it and a fountain, spewing ostentatiously, in the front yard!!!). Of course now, I would do anything to grab a hold of the other end of that handkerchief and dance a rousing tsifteteli with my Dad.

 

LOVE the shirt.

LOVE the shirt.

 

Dancing man.

Dancing man.

 

Sharing the handkerchief with his sister Toula.  Excuse me, but the man can KICK!!!!

Sharing the handkerchief with his sister Toula. Excuse me, but the man can KICK!!!!

 

One of the few times I allowed myself to be dragged onto the dancefloor.  Like my dancing nightie?!!

One of the few times I allowed myself to be dragged onto the dancefloor. Like my dancing nightie?!!

 

Too much dancing?  Toss in a tumble for variety!

Too much dancing? Toss in a tumble for variety!

 

An Adventurous Spirit
Kon Stathopoulos was a man of contrasts. He had an amazing work ethic, yet he loved being the life of the party. He was very responsible, yet he also took (calculated) risks. I think for him, one thing fed the other. Life would be unbalanced without both, in equal measure. As a result, my childhood had constant exposure to the two extremes. He always paid the bills on time, but as a family we put together light-up yoyo’s after dinner for goodness sake! He always made me do my homework, but when I was six years old we up and moved to Greece for three months in the middle of the school year. I had been selected to skip a grade at school that year, but because of the trip it never happened. You think I give a shit?! I lived in Greece for three months! That kind of life experience is priceless.

 

We were gypsy girls in Greece.  It was a tremendous and unique lifetime experience.

We were gypsy girls in Greece. It was a tremendous and unique lifetime experience.

 

Taking his gal for a ride in Greece.

Taking his gal for a ride in Greece.

 

When I was 11 years old, my parents bought some rural land with some relatives. It was a 5 acre hobby farm in Cape Schanck, with dirt road access to the back beach which was about 1km away. I do believe that this investment is one of the greatest things my parents ever did. The memories from the farm are amongst my favourite. Ever. Nearly every weekend of my teenage years was spent running wild on this land with my sisters, friends, cousins, neighbours’ kids and the dog from the farm next door. We ran down monstrous sand dunes, quad-biked, rode horses, swam in deep rock pools of crystal clear water, fished and hunted for abalone (probably illegally, but don’t tell anyone). I learned to drive a manual in an ancient Land Rover, chopping across hillocks and sand dunes.

 

What's the point of having kids if you don't put them to work.  Here's my sister Mari mowing the farm.  All 5 acres of it!!!!

What’s the point of having kids if you don’t put them to work. Here’s my sister Mari mowing the farm. All 5 acres of it!!!!

 

AND Teddums!!!

AND Teddums!!!

 

Adventure Dad!

Adventure Dad!

 

One of my all-time favourite activities was being woken up at 2am and driving down to the rock beach at low tide armed with gum-boots, buckets and torches to go crab hunting. Then, when the buckets were full of flailing, salivating crabs, we would drive back to the farm and cook them up and eat them. Around 5am we’d all go back to bed, stomachs full of sweet crab meat and heads full of amazing memories (including almost losing Uncle Paul when a particularly large wave almost washed him off the rocks and out to sea). Was it reckless, allowing young children out on dangerous rocks in the middle of the night? Probably. Was it one of the most incredible things you could ever do for those children? Absolutely.

 

Family Comes First
No matter what business my Dad built up from the ground, his proudest achievement was the family that he built with my Mum. Every family goes through ups and downs, and of course ours did too. I went through a period of hating my parents passionately. Then I went through a period of not giving them a second thought, taking them for granted. And then… then I grew up, and I realised that the greatest gift my Dad (and Mum) ever gave me was unconditional love. Yes, he really bugged me sometimes. Other times he was a real asshole. And sometimes, OH MY GOD, he embarrassed the hell out of me (honestly, you have NO idea how much he embarrassed me). But, he was also my greatest fan. He supported me when I gave up hope. He encouraged me when he knew I needed it. And he believed in me, no matter what. My mother nurtured me, but my father shaped me. He was the benchmark for how to live my life and the kind of person that I want to be. My father’s devotion to my Mum also set the bar for the kind of man I looked for in my own relationships. Not always with the greatest of success, but I feel confident that Dad would fully approve of my choice of husband.

 

Devoted parents to a little butterball.  Aw!!

Devoted parents to a little butterball. Aw!!

 

Feeling a little left out here!!!

Feeling a little left out here!!!

 

One of the many outdoor excursions we made as a family.  Dad loved the outdoors and he loved exploring Melbourne.

One of the many outdoor excursions we made as a family. Dad loved the outdoors and he loved exploring Melbourne.

 

Proud parents at my high school graduation.  Even though I've never been an amazing scholar, my Dad instilled the importance of a good education.

Proud parents at my high school graduation. Even though I’ve never been an amazing scholar, my Dad instilled the importance of a good education.

 

Proud Dad and his three Goth daughters at my ATC Graduation dinner.  That was one of my proudest moments because I knew how proud Dad was of me.  I think I cried.

Proud Dad and his three Goth daughters at my ATC Graduation dinner. That was one of my proudest moments because I knew how proud Dad was of me. I think I cried.

 

I’ve left out a lot. I could honestly write a whole book about my father and what he means to me but I’ll stop here. It’s been ten years today since my Mum, and my sisters and I, lay beside him on my parents bed, in the house that he built, as he took his last breath. Comforting him and trying to ease his passage into the unknown, into death, was absolutely the most difficult thing I have ever experienced in my life. But I belonged there. It was where I simply had to be. With my Dad.

 

Father and daughter.

Father and daughter.

 

Ejo #17 – A Response to A. A. Gill’s Dubai-Bashing Article in Vanity Fair

A couple of weeks ago there was a little bit of controversy surrounding a Vanity Fair article written by Scottish restaurant critic A. A. Gill. It was a piece that rather viciously attacked the city of Dubai – but that in itself isn’t what caused the scandal. It was the fact that the article had been removed from copies sold in the UAE. There was, of course, the expected furore about censorship and freedom of information, blah blah blah. But when asked about it, the UAE censorship committee shrugged their shoulders and said, “It wasn’t us!”. A theory has evolved that, in fact, Conde Nast (the publisher of Vanity Fair) was responsible for ripping out the “offending” article from copies sold in the UAE in order to drum up publicity for the story.  If so, bravo, because it worked – it was a form of viral marketing that has stirred up far more discussion about A. A. Gill’s work than had it been just another Dubai-bashing story.

If you are interested in reading the article, you may do so HERE.

And if you are interested in reading my response to it, you may do so here:

Dear A. A. Gill,

This letter is addressed to you but it is not, in fact, directed towards you at all because I know that it would fall on deaf ears.  Based on this, and previous articles you have written, you don’t really care about anything except creating a fuss.  Congratulations, you have, yet again, succeeded in offending an entire city (if not country) and its inhabitants.  What a shame that this was actually your goal and that the tools you employed to do so included bigotry, bitchiness and bullying.

If I thought that you would actually be open to feedback and discussion then yes, I would write this for you.  However I don’t.  And thus, I am writing it for anyone who may have read your article and taken it at face value – which, admittedly, it would be easy to do as it reads just like a real article from a real travel journalist.  What most people may not realise is that you are actually just a restaurant reviewer and TV critic.  It seems that these days anyone with a passport and a pen can pose as a travel writer.  I promised myself I would not use against you the fact that you have such severe dyslexia that all your work is done by dictation, so I shall not.  I will, however, rephrase my previous sentence: It seems that these days anyone with a passport and a Dictaphone can pose as a travel writer.

Having read some of your previous scathing travel reports it would appear that being offensive is your ‘bit’.  Well done for having found something that you’re good at (and kudos to you for getting paid for it).  But let’s be honest, it’s not very nice, is it?  And even more importantly, it means that not much of what you write is actually very accurate (it’s a bit harder to be controversial when you have to stick to the facts, isn’t it?).  So, I guess the only problem I really have with your article is that it is being touted as non-fiction when it is nothing more than a deliciously nasty short-story.

For the clarification of your readers, and mine, I will now address a few of the many fallacies in your story (I don’t have the time or the inclination to correct them all).  Let’s start with the first sentence: “The only way to make sense of Dubai is to never forget that it isn’t real.”  The city I have chosen to adopt as my home town is not, as you go on to say, a fable.  Nor is it a fairy tale.  How silly of you to say so.  Of course it’s real.  It’s as real as New York, London, Edinburgh, Melbourne or Singapore.  People live here, work here and play here.  There is an art scene, a stock exchange, several universities, efficient public transport and even a burgeoning film industry.  Approximately 5 million people choose to live here and about 50 million people a year pass through this so-called “imaginary” city.  They demand (and receive) an infrastructure that solidifies it as very real indeed.  So while it sounds really good to start your story off by calling Dubai a “fairy tale”, let’s agree that it’s not true and move on.

You say that Dubai can’t buy a culture of its own.  I shall concede that argument while pointing out that perhaps it isn’t trying to.  Culture can’t be bought anyway.  Culture is grown, earned and nurtured over time.  Dubai, as a city, hasn’t had the time to attain what you refer to as “culture”.  Its history goes back only about 30 years; I challenge you to find any 30 year old you could describe as being cultured.  In that short time though, it’s gone from a small, but thriving, pearling and fishing port village to the bustling metropolis you see today.  It has never been, as you assert, inhabited by a “handful of tented families herding goats and shooting each other”.  I believe that the families you are referring to are Bedouins (from which the majority of locals in Dubai do not actually originate).  And as for your reference to them shooting each other, I honestly have no idea what you’re talking about.  My guess is that you’re just trying to be inflammatory.  More silliness.

Let’s continue.  You state that Dubai’s economy is maintained by oil rich families.  Not so.  Yes, these families do exist, of course.  But Dubai, unlike Abu Dhabi, doesn’t have a huge amount of oil.  As a result they’ve had to work for their money and they’ve done that by creating an international city with first class facilities to entice tourists.  The economy is driven by those 50 million travellers that pass through each year.  And the reason they come is that a member of one of those rich families, Sheikh Mohammed (the Ruler of Dubai), realising that the emirate’s meagre oil supply would be insufficient to feed the growth of the city, invested that money in making Dubai a destination city; making it attractive to tourists; making it a beautiful, strange oasis in the middle of the desert.

And guess what, it worked.  The tourists came and they had a good time.  And yes, some people, including David and me, decided to move here.  Not because we are, as you say, “mercenaries” or “parasites”.   Sure the tax free salary was a contributing factor in our decision but the reality is that we don’t actually make that much more money here than back home.  The primary reason for moving was to take up the opportunity to work abroad.  The options were Dubai or Ireland and I don’t like the cold.  The secondary reason was adventure.  We love to travel and compared to Australia, geographically, Dubai feels like the centre of the world.  In the two and a half years we’ve been here we’ve been overseas nine times and have another three trips planned for 2011.  We simply could never have enjoyed this lifestyle back home.  The money came much further down the list.  So as easy as it is for you to call western expats “greedy sycophants”, in our case (and several others) it simply isn’t true.

Next, you claim that Emiratis are “born retired” and are unable to “even change a fuse”.  I know for a fact that you must not know any Emiratis otherwise you couldn’t make such ridiculous statements.  I do have the pleasure of knowing a handful, and the truth is that they do have to work, and they are actually good at what they do.  Not all of them are born rich and not all of them have been rendered useless by a menagerie of servants.  Yes, people like that do exist but they are not representative of the entire nationality.  Broad statements like that are usually referred to as being “racist”.  Please be careful Adrian.

Finally, I’ll address your crude statement that the Burj Khalifa is a “monument to small-nation penis envy”.  I wonder what kind of envy you suffer from to make such an observation.  Phallic-centric, much??  The Burj Khalifa wasn’t built out of any kind of envy.  It was built as a monument of beauty and incredible architecture.  A feat of modern engineering.  I look upon this building from my living room window every day and I honestly think it is an amazing structure.  As a resident of the city I am very proud of it.  Were the Eiffel Tower, St. Paul’s Cathedral or the Sydney Opera House built because their designers had small willies??  I don’t think so.  All of these buildings may be considered ostentatious too if you look at them through your mud coloured glasses.  What they do all have in common is that they were built by people who had a dream to create something memorable, lasting and unique.  The Burj Khalifa is an incredible achievement; a testament to human endeavour and vision.  I defy anyone to stand before it and not feel some sense of awe.  You don’t have to admit that you felt it Mr. Gill, but I bet that you did.

It seems almost naive of me to even bother writing this response to your article.  I’m sure you’re not even invested enough in what you wrote to care what people think.  I debated with myself whether writing this letter would be falling into the trap of doing exactly what you wanted me to do.  In the end I decided that even if that was the case, I didn’t mind.  I had to respond.  Dubai is very far from perfect and you did actually make a couple of salient points regarding the city’s terrible human rights record.  The treatment of construction workers here is abysmal.  It’s getting better but the process is frustratingly slow and, unfortunately, I can’t see an improvement of the situation in the near future.  But you didn’t write about it in order to find a solution.  You did so for entertainment and that, sir, is just as despicable as the act itself – if not more so because, indeed, you have a platform to bring attention to the plight of the labourers in order to effect a change for the better.  To help them.  Instead, you chose to use it only as a means of belittling the city.  Shame on you.

Dubai is certainly a strange creature, and most definitely not to everyone’s liking.  Anyone who reads my ejos knows that there’s lots about it that really annoys me too.  But it doesn’t deserve to be lambasted by the likes of you.  Leave the lambasting to people who live here and know it intimately and can complain about the real issues.  You, almost certainly, visited here with the intention of being mean and looking for faults.  Sure it makes a great article, but you know what A. A. Gill?  If that’s the way you go through life, I imagine you’ll be unhappy wherever you find yourself, and all I can feel for you is pity.